Fascinating footage captures daredevil climbers dangling from ice caves and rock faces against the backdrop of the Northern Lights.

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These breathtaking photos certainly take the saying “lights, camera, action” to a whole new level.

Photographer Paul Zizka44 years old, from Banff, Canadaspecializes in capturing aurora in some of the region’s most picturesque parks, but it adds gaping ice caves and daredevil climbers to add to the magic.

One of his new images shows a climber on a vaulted ice wall, with the Northern Lights sparkling purple and green amid a scattering of bright stars.

Another photo shows the silhouettes of two climbers as they scale a large rock face against the night sky, their headlamps illuminating their bodies.

Paul Zizka, 44, from Banff, Canada, specializes in photographing the Northern Lights in some of the region's most picturesque parks.

Paul Zizka, 44, from Banff, Canada, specializes in photographing the Northern Lights in some of the region’s most picturesque parks.

But the cameraman adds gaping ice caves and daredevil climbers to the mix to add to the magic.

But the cameraman adds gaping ice caves and daredevil climbers to the mix to add to the magic.

Zizka captured the images in the Canadian Rockies and at locations around Jasper National Park.  The photo above was taken in Banff

Zizka captured the images in the Canadian Rockies and at locations around Jasper National Park. The photo above was taken in Banff

In this photo, also taken in Banff, a climber can be seen with a headlamp as the lights of a road and houses shine below.

In this photo, also taken in Banff, a climber can be seen with a headlamp as the lights of a road and houses shine below.

To achieve these compositions, Zizka used a variety of different Canon camera bodies.

His distance from climbers varied from 4 feet to a mile and in some cases he had to communicate with his subjects via radio.

To achieve these compositions, Zizka used a variety of different Canon camera bodies. His distance from climbers varied from 4 feet to a mile and in some cases he had to communicate with his subjects via radio.

Meanwhile, a climber tackles an ice-covered rock face above water in another capture, the scene reflected in the mirror-like surface.

Zizka captured the images in the Canadian Rockies and at locations around Jasper National Park.

To achieve these compositions he used a variety of different Canon camera bodies.

His distance from climbers varied from 4 feet to a mile and in some cases he had to communicate with his subjects via radio.

“The distance to the subject varies from a few meters to over a kilometer, depending on what tells the story best and provides the best composition,” Zizka explained.

“In cases where climbers are at a considerable distance, I communicate with them by radio.”

The cameraman explains that “the circumstances surrounding each of these images varied greatly, many of them are taken in the moment during a climb.”

He continued: “While others are more pre-visualized with many factors coming together.

“The distance to the subject varies from a few meters to over a kilometer, depending on what tells the story best and provides the best composition,” Zizka explained.

The cameraman says that

The cameraman says that “the circumstances surrounding each of these images varied greatly, many of them are taken in the moment during a climb.”

Sometimes Zizka said the quest for the perfect shot forced him to move

In other cases, he asked the climber

Sometimes, Zizka said the quest for the perfect shot required him to move, while in other cases he asked the climber “to move safely to a particular spot and hold a position for a few seconds” in order to to be able to capture him.

“For example, I could track the Northern Lights and then call on my climbing models to join me for a photoshoot.

“It’s a collaborative effort with the climbers and involves a lot of communication to get the positioning right.

“Compositionally, I have to look at the elements of the frame to see where I need to position the climber.”

Sometimes, Zizka said the quest for the perfect shot required him to move, while in other cases he asked the climber “to move safely to a particular spot and hold a position for a few seconds” in order to to be able to capture him.

Some images were more complicated to make than others, and Zizka said this was especially the case for those “taken at night with artificial light sources illuminating the scene.”

While Zizka captured these particular images in Canada, he has traveled to all seven continents documenting Mother Nature and extreme adventurers.

Some images were more complicated to execute than others

Zizka said this was especially the case with those

Some images were more complicated to make than others, and Zizka said this was especially the case for those “taken at night with artificial light sources illuminating the scene.”

“Compositionally, I have to look at the elements of the frame to see where I need to position the climber,” says Zizka.

Revealing what motivates and inspires him, the cameraman said:

Zizka has published eight books and his images have been featured on countless book covers and in various leading publications, including National Geographic and Outdoor Photographer.

Revealing what motivates and inspires him, the cameraman (pictured right) said: “Climbers love seeing the final image, and it’s such a fun process to collaborate with them to achieve it. »

Revealing what motivates and inspires him, he said: “Climbers love seeing the final picture, and it’s such a fun process to collaborate with them to achieve it.

“Seeing such tiny figures in vast, intimidating landscapes shows how small we are in the grand scheme of things.”

Zizka has published eight books and his images have been featured on countless book covers and in various publications, including National Geographic and Outdoor Photographer.

He says the general reaction to his images “is one of respect and appreciation.”

“I often hear people call these images otherworldly,” he concludes.

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